<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:media="http://search.yahoo.com/mrss/"
	
	>

<channel>
	<title>Pratt MID2021</title>
	<link>https://prattmid.com</link>
	<description>Pratt MID2021</description>
	<pubDate>Fri, 14 May 2021 08:51:09 +0000</pubDate>
	<generator>https://prattmid.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Intro Header</title>
				
		<link>https://prattmid.com/Intro-Header</link>

		<pubDate>Sun, 01 Mar 2020 21:39:57 +0000</pubDate>

		<dc:creator>Pratt MID2021</dc:creator>

		<guid isPermaLink="true">https://prattmid.com/Intro-Header</guid>

		<description>
	2021 PRATT MID SHOW


Nineteen graduate students spent a year researching and designing objects. Scroll down to learn more about each hashtag and browse projects within them.


</description>
		
	</item>
		
		
	<item>
		<title>Kicks Morphogen</title>
				
		<link>https://prattmid.com/Kicks-Morphogen</link>

		<pubDate>Sun, 11 Apr 2021 03:00:25 +0000</pubDate>

		<dc:creator>Pratt MID2021</dc:creator>

		<guid isPermaLink="true">https://prattmid.com/Kicks-Morphogen</guid>

		<description>&#38;nbsp;

Designed by 
Chia-Yuan (Caleb) Ko
Kicks Morphogen
This study examines customizing footwear within an algorithm-driven framework that provides physical products and derivative pieces of digital art in virtual space. In examination of shoe customization available today, one controversial issue has been the narrow changeable options with a low degree of control. On the one hand, multiple sport brands argue for performance-driven outputs tailored for professional athletes. On the other hand, independent footwear companies contend repurposed materials or noticeable color themes in a two-dimensional range as primary features. Little information is known about how customers will interact with 3D form-finding steps, data inputs and personal aesthetic choice in virtual space and the meaning behind each selection. The research findings show what type of customization processes should be prioritized, meanwhile demonstrate the preferred resources that customers are willing to incorporate and how the decision is made when reaching the final result. This study provides a list of recommendations on developing reformatted shoe-customization services and highlights the extensive business potential including but not limited to social media platforms or mobile applications.

&#60;img width="1980" height="1080" width_o="1980" height_o="1080" data-src="https://freight.cargo.site/t/original/i/60d5d6b8a0dd7de9bf28fd92e28d2da0d0f536416c631c008cee6411a85440eb/sub-images-01.png" data-mid="108103631" border="0"  src="https://freight.cargo.site/w/1000/i/60d5d6b8a0dd7de9bf28fd92e28d2da0d0f536416c631c008cee6411a85440eb/sub-images-01.png" /&#62;&#60;img width="1980" height="1080" width_o="1980" height_o="1080" data-src="https://freight.cargo.site/t/original/i/3917ca5c133c4c2d803d107e814bf5137566127d6a25cdec8972f8becd80b3a1/sub-images-02.png" data-mid="108103632" border="0"  src="https://freight.cargo.site/w/1000/i/3917ca5c133c4c2d803d107e814bf5137566127d6a25cdec8972f8becd80b3a1/sub-images-02.png" /&#62;&#60;img width="1980" height="1080" width_o="1980" height_o="1080" data-src="https://freight.cargo.site/t/original/i/6cb52d3f53db161277134ac5a8983c848a76398d2b0e4b54fdf4c80dd0a75c98/sub-images-03.png" data-mid="108151135" border="0"  src="https://freight.cargo.site/w/1000/i/6cb52d3f53db161277134ac5a8983c848a76398d2b0e4b54fdf4c80dd0a75c98/sub-images-03.png" /&#62;
	&#60;img width="2694" height="2694" width_o="2694" height_o="2694" data-src="https://freight.cargo.site/t/original/i/ccb04dcaa81580043943364f798ae1d53732d10e9bea4d764f15a6a0011a70bc/015.png" data-mid="108103634" border="0" data-scale="68" src="https://freight.cargo.site/w/1000/i/ccb04dcaa81580043943364f798ae1d53732d10e9bea4d764f15a6a0011a70bc/015.png" /&#62;
	Chia-Yuan (Caleb) Ko / 高嘉元, essentialist, industrial designer and sneaker geek. He explores the intersection encompassing 3D interactive fabrication, origami texture and procedural art visualization, bridging physical and digital experience.

His works are featured in international design communities such as Core77 Design Awards, IDA Design Awards, Global Footwear Award and Taiwan Design EXPO. He holds a BS in Industrial Design and currently a MID student at Pratt Institute.


Personal web:&#38;nbsp;https://kochiayuan.com

Contact:&#38;nbsp;chiayuanko@gmail.com


︎︎


</description>
		
	</item>
		
		
	<item>
		<title>Digital Handmade</title>
				
		<link>https://prattmid.com/Digital-Handmade</link>

		<pubDate>Sun, 11 Apr 2021 03:00:22 +0000</pubDate>

		<dc:creator>Pratt MID2021</dc:creator>

		<guid isPermaLink="true">https://prattmid.com/Digital-Handmade</guid>

		<description>&#60;img width="8000" height="4500" width_o="8000" height_o="4500" data-src="https://freight.cargo.site/t/original/i/939e092e34f0885abd49bb8f8e0f6c3b87a776b388b39aa4751a3119a8122e62/Cover.jpg" data-mid="107886682" border="0"  src="https://freight.cargo.site/w/1000/i/939e092e34f0885abd49bb8f8e0f6c3b87a776b388b39aa4751a3119a8122e62/Cover.jpg" /&#62;Designed by&#38;nbsp;
Lihsing Wang
Digital Handmade
This research, “Digital Degradation,” critiques mass-produced products targeting cheaper, faster manufacturing. In contrast to mass-production, handcraft has always been an attractive way of manufacturing products. The uniqueness of flaws inherent in handmade works is perceived to add rather than diminish the value. Attempts at digitizing or mass creating this same sort of mark have often been critiqued as a pastiche reference to handmade products, building in the same flaw into every product.&#38;nbsp;I am proposing to find the flaws in the “Digital Hand’s Works.” This research uses the three-dimensional scanner to scan the original, printed out that scan, and going through serial generations to build this kind of difference visible within a set of domestic objects. The process explores a way of creating specificity to products that make equivalence value as handmade products.
&#60;img width="4240" height="2384" width_o="4240" height_o="2384" data-src="https://freight.cargo.site/t/original/i/5914a56cbda3ba3992b4d5eac5b7cb366390463193ad6b37d134af255433c3cf/05.jpg" data-mid="108103026" border="0"  src="https://freight.cargo.site/w/1000/i/5914a56cbda3ba3992b4d5eac5b7cb366390463193ad6b37d134af255433c3cf/05.jpg" /&#62;&#60;img width="1980" height="1080" width_o="1980" height_o="1080" data-src="https://freight.cargo.site/t/original/i/dd203fc25aaaf895e12766141e265cd28ee3f2fb789fa9c1d58cce1a1fef063e/04.jpg" data-mid="107886684" border="0"  src="https://freight.cargo.site/w/1000/i/dd203fc25aaaf895e12766141e265cd28ee3f2fb789fa9c1d58cce1a1fef063e/04.jpg" /&#62;&#60;img width="1980" height="1080" width_o="1980" height_o="1080" data-src="https://freight.cargo.site/t/original/i/5b1fe3107a76913c0bea1c1ce6ff53d48bf4c6a9821b30883a8fee9d3cf48cb0/01.jpg" data-mid="107886689" border="0"  src="https://freight.cargo.site/w/1000/i/5b1fe3107a76913c0bea1c1ce6ff53d48bf4c6a9821b30883a8fee9d3cf48cb0/01.jpg" /&#62;&#60;img width="1980" height="1080" width_o="1980" height_o="1080" data-src="https://freight.cargo.site/t/original/i/7a863b9995e75ac0565241b141a0ea856b171828a874867063b4893feee7d40a/02.jpg" data-mid="107886687" border="0"  src="https://freight.cargo.site/w/1000/i/7a863b9995e75ac0565241b141a0ea856b171828a874867063b4893feee7d40a/02.jpg" /&#62;
&#60;img width="1980" height="1080" width_o="1980" height_o="1080" data-src="https://freight.cargo.site/t/original/i/2a685fee18469f86cf6a7a9af7ec649410fefd5d358307877cfe00b8671962aa/03.jpg" data-mid="107886685" border="0"  src="https://freight.cargo.site/w/1000/i/2a685fee18469f86cf6a7a9af7ec649410fefd5d358307877cfe00b8671962aa/03.jpg" /&#62;

	&#60;img width="2310" height="2309" width_o="2310" height_o="2309" data-src="https://freight.cargo.site/t/original/i/b5ddcc713cc33254364490103c4b11c44bd5a23aea142b3eb10fcb3c63892c69/010.png" data-mid="108103032" border="0" data-scale="62" src="https://freight.cargo.site/w/1000/i/b5ddcc713cc33254364490103c4b11c44bd5a23aea142b3eb10fcb3c63892c69/010.png" /&#62;
	Based in both the US and Taiwan, Lihsing Wang treats himself as a critical thinker and a cross-discipline designer. His works take place on the boundary between product design and artistic creation and are driven by technology, exploring new possibilities in current manufacturing methods and design processes by implementing emerging tools such as 3D scanning, printing, and algorithmic generative frameworks. Lihsing is currently in his last years of pursuing a master of Industrial Design degree at Pratt Institute; his work has been honored with the Red Dot award, IF design award, IT'S design award, A’s design award, and also has been shown at the NYCxDesign Exhibition during 2019 NYC Design Week.


Personal web:&#38;nbsp;https://leowang.org/

Contact:&#38;nbsp;
lwang42@pratt.edu 

︎︎︎

</description>
		
	</item>
		
		
	<item>
		<title>YourFurniture</title>
				
		<link>https://prattmid.com/YourFurniture</link>

		<pubDate>Sun, 11 Apr 2021 03:00:44 +0000</pubDate>

		<dc:creator>Pratt MID2021</dc:creator>

		<guid isPermaLink="true">https://prattmid.com/YourFurniture</guid>

		<description>



Designed by 
Sean Kim
YourFurniture
3D printing has promised to change the way we approach making things; potentially allowing people to create their own objects without access to mass-manufacture. However, this promise has not been fully met; the types of objects that are freely available are not particularly useful: mostly novelties and toys. YourFurniture aims to get closer to that promise by allowing anyone to make their own furniture from off the shelf hardware and material with the aid of 3d printed tools and hardware. YourFurniture provides plans, step by step instruction, printed hardware and tools — all for free under a creative commons license — that allow anyone to make furniture inexpensively and easily. In doing so, I hope to encourage people to take advantage of widely available and inexpensively priced consumer 3d printers, allowing them to participate in the creation of their physical surroundings.
&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/d5a6e5ffd180480c2b2966afe2541bafdfcbdbb740dcdb3132cc072fc6c736e7/Hero---ALTERNATIVE.jpg" data-mid="107965834" border="0"  src="https://freight.cargo.site/w/1000/i/d5a6e5ffd180480c2b2966afe2541bafdfcbdbb740dcdb3132cc072fc6c736e7/Hero---ALTERNATIVE.jpg" /&#62;

&#60;img width="3438" height="1580" width_o="3438" height_o="1580" data-src="https://freight.cargo.site/t/original/i/ead73b6ba9f9b523f6fbeeed3f35964d206a34eea647788d20e17a6bbb3c6f43/Shelf.png" data-mid="107965886" border="0"  src="https://freight.cargo.site/w/1000/i/ead73b6ba9f9b523f6fbeeed3f35964d206a34eea647788d20e17a6bbb3c6f43/Shelf.png" /&#62;&#60;img width="3422" height="1580" width_o="3422" height_o="1580" data-src="https://freight.cargo.site/t/original/i/8520a926f645bafdc5e2dab25b4384fadbe81cb7ad764373a473f9f34b2a1a9a/BENCH.png" data-mid="107965868" border="0"  src="https://freight.cargo.site/w/1000/i/8520a926f645bafdc5e2dab25b4384fadbe81cb7ad764373a473f9f34b2a1a9a/BENCH.png" /&#62;



	&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#60;img width="1262" height="1262" width_o="1262" height_o="1262" data-src="https://freight.cargo.site/t/original/i/e46470e44b5ccda188fee5ca8209866805ad4e1c13332e80c322da602d5ce51e/image.png" data-mid="107871268" border="0" data-scale="64" src="https://freight.cargo.site/w/1000/i/e46470e44b5ccda188fee5ca8209866805ad4e1c13332e80c322da602d5ce51e/image.png" /&#62;
	Sean is the founder and principal of Wooj, a product company focused on 3D printing and other technologies that enable domestic production of expertly designed products.

Sean has a background in psychology, software engineering, and product design. Having worked in the relentless and fast-paced startup world as both a designer and engineer, he brings a unique perspective to product design, combining his abilities as a psychologist, programmer, and designer to create products that are simultaneously complex, yet approachable.

Instagram/ Facebook/ LinkedIn accounts name: @seanwooj / @wooj.design

Website address: http://wooj.design 

Email address: sean@wooj.design 

	

︎︎︎︎︎
</description>
		
	</item>
		
		
	<item>
		<title>Furniture Repair Service</title>
				
		<link>https://prattmid.com/Furniture-Repair-Service</link>

		<pubDate>Sat, 10 Apr 2021 14:07:20 +0000</pubDate>

		<dc:creator>Pratt MID2021</dc:creator>

		<guid isPermaLink="true">https://prattmid.com/Furniture-Repair-Service</guid>

		<description>&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/02a194733f391b19f98c502abfbee402cb5e0e4e7e894395dab90a517fd273ff/jim.jpg" data-mid="107975064" border="0"  src="https://freight.cargo.site/w/1000/i/02a194733f391b19f98c502abfbee402cb5e0e4e7e894395dab90a517fd273ff/jim.jpg" /&#62;Designed by
Chun-Shou Chi (Jim)
Repair builds value

My research builds upon the experiences Goldmark recounts by speculating that beyond price, other factors also contribute to the furniture's value, such as memories it triggers or sentimental values. Further investigation is needed on whether furniture repair services should focus on the standard of the original state or whether they should be more flexible to provide more opportunities for reusing furniture. According to research conducted by the Environmental Protection Agency (EPA), only 0.327% of the furniture could be recycled and composted, suggesting that the remaining 99.7% of furniture goes into landfills. My thesis explores the possibility of engaging these and other factors that add value to furniture, by building a new industrial design practice that focuses on repairing furniture through its owners' personal narratives. In this way, the repair is conceptualized as design in ways that offer more possibilities to keep or add value to the furniture, so that users have more flexibility in retaining their broken furniture.
After the industrial revolution, furniture making became more automated and has therefore reduced demand for labor-intensive repair services. Gradually since then, repair service providers turned to antiques and high-quality furniture. As the latest report from IBISWorld indicates that consumers were intending to purchase new furniture rather than hire furniture repair technicians between 2016 and 2019. This suggests that the financial value a piece of furniture has in the market becomes the primary factor determining whether it deserves repairing. However, according to the TED talk of Sandra Goldmark, the founder of Fixup, unlike the common practice of using and discarding furniture as single-life disposables, people contacted her for repairing their pieces, even though buying new ones might be cheaper. It indicates that financial value in the market that a piece of furniture has is not the one factor that matters, and we could investigate more values of vital importance to the owner.

&#60;img width="1980" height="1080" width_o="1980" height_o="1080" data-src="https://freight.cargo.site/t/original/i/a760d369ce25146e9cb7c8141044d17b7cf64e69b0bec0c2cc9a411634fe24ac/1-2.jpg" data-mid="107952869" border="0"  src="https://freight.cargo.site/w/1000/i/a760d369ce25146e9cb7c8141044d17b7cf64e69b0bec0c2cc9a411634fe24ac/1-2.jpg" /&#62;&#60;img width="1980" height="1080" width_o="1980" height_o="1080" data-src="https://freight.cargo.site/t/original/i/425fe1d4260cda5ca56468aa285fdfe73f09d42551a9e5f003a15a261901f03a/2-2.jpg" data-mid="107952870" border="0"  src="https://freight.cargo.site/w/1000/i/425fe1d4260cda5ca56468aa285fdfe73f09d42551a9e5f003a15a261901f03a/2-2.jpg" /&#62;
&#60;img width="1600" height="1600" width_o="1600" height_o="1600" data-src="https://freight.cargo.site/t/original/i/cc194459042c9884c817617d05482fca607d3de3e0480e3ef2cf449da6f64fa2/headshot.png" data-mid="107952859" border="0" data-scale="82" src="https://freight.cargo.site/w/1000/i/cc194459042c9884c817617d05482fca607d3de3e0480e3ef2cf449da6f64fa2/headshot.png" /&#62;
Chun-Shou Chi (Jim) is an industrial designer who is passionate about creating innovative experiences through experiments from different perspectives, and translations from abstract concepts to concrete objects. He is interested in exploring the relationships between objects and humans.
Personal Instagram: @soa327 Thesis Instagram: @7objects_nycFacebook: Jim Chi（紀俊守）LinkedIn accounts name: Chun-Shou (Jim) ChiWebsite address: https://www.jimchidesign.com/Email address: soa327@gmail.com

︎︎︎︎︎

</description>
		
	</item>
		
		
	<item>
		<title>The Subline</title>
				
		<link>https://prattmid.com/The-Subline</link>

		<pubDate>Fri, 14 May 2021 08:37:21 +0000</pubDate>

		<dc:creator>Pratt MID2021</dc:creator>

		<guid isPermaLink="true">https://prattmid.com/The-Subline</guid>

		<description>&#60;img width="2551" height="1434" width_o="2551" height_o="1434" data-src="https://freight.cargo.site/t/original/i/eaec50f54a7e8980f73e2365ce59edaec2fc3d8c38a522c2ad6885e0d459fe55/SCENARIO_PANEL_X_1.325.jpg" data-mid="108427984" border="0"  src="https://freight.cargo.site/w/1000/i/eaec50f54a7e8980f73e2365ce59edaec2fc3d8c38a522c2ad6885e0d459fe55/SCENARIO_PANEL_X_1.325.jpg" /&#62;Designed by
Pietro Quintino Sella

New York City has an incredible real-estate infrastructure completely left to degradation with great potentialities. Investors, engineers, and designers are already exploiting these spaces and similar ones with beautiful creations, some of these have the potential to change the future of metropolis forever. The idea of bringing a bicycle underground in New York City makes total sense to me. An adaptable bike pavement or an underground bike that would slide through the rails of Manhattan could indeed become a reality in to- day’s New York City. Seeing examples of retrofitting space mentioned previously such as the prominent Highline and the upcoming Lowline are strong realities. Indeed, New York City, being one of the world capi- tals of ideas, creativity and forward-thinking, I strongly believe my design proposal would be just fit for NYC.
&#60;img width="2551" height="1405" width_o="2551" height_o="1405" data-src="https://freight.cargo.site/t/original/i/8af58bc7957da3b9d87789ae43ada00c2a4961d9c377968fc13ef07c86f341a2/32.jpg" data-mid="108427982" border="0"  src="https://freight.cargo.site/w/1000/i/8af58bc7957da3b9d87789ae43ada00c2a4961d9c377968fc13ef07c86f341a2/32.jpg" /&#62;&#60;img width="2551" height="1405" width_o="2551" height_o="1405" data-src="https://freight.cargo.site/t/original/i/f2d5bf6aca9b70684e72ff39576923d353329add67a58b7e592b62a2a81a62d5/SCENARIO_PANEL_X_1.330.jpg" data-mid="108427983" border="0"  src="https://freight.cargo.site/w/1000/i/f2d5bf6aca9b70684e72ff39576923d353329add67a58b7e592b62a2a81a62d5/SCENARIO_PANEL_X_1.330.jpg" /&#62;&#60;img width="2551" height="1405" width_o="2551" height_o="1405" data-src="https://freight.cargo.site/t/original/i/dcb2f1a196580e38ee9b75e812381bb90be8d8bb3900c71a4963c2c40654b2bd/RAIL_BIKE_X_RENDER_FINAL_DOC3.304.jpg" data-mid="108427980" border="0"  src="https://freight.cargo.site/w/1000/i/dcb2f1a196580e38ee9b75e812381bb90be8d8bb3900c71a4963c2c40654b2bd/RAIL_BIKE_X_RENDER_FINAL_DOC3.304.jpg" /&#62;
&#60;img width="2820" height="2820" width_o="2820" height_o="2820" data-src="https://freight.cargo.site/t/original/i/1a647b4146aefa29ecb6c05e0ca26a0b229e4caa1c31f4e4d1125d51d96e0dc1/014.png" data-mid="108428322" border="0" data-scale="59" src="https://freight.cargo.site/w/1000/i/1a647b4146aefa29ecb6c05e0ca26a0b229e4caa1c31f4e4d1125d51d96e0dc1/014.png" /&#62;
Pietro Quintino SellaPratt Institute MID 2021
</description>
		
	</item>
		
		
	<item>
		<title>Sustainable Beauty</title>
				
		<link>https://prattmid.com/Sustainable-Beauty</link>

		<pubDate>Sun, 11 Apr 2021 03:00:46 +0000</pubDate>

		<dc:creator>Pratt MID2021</dc:creator>

		<guid isPermaLink="true">https://prattmid.com/Sustainable-Beauty</guid>

		<description>
Designed by 
Judyta Baczkowska

Sustainable Beauty
My thesis proposes that by selling application tools- five reusable brushes and the case&#38;nbsp; as an heirloom quality investment, separate from the more frequently purchased pigment, not only are new emotional attachments formed with these devices that beget lest waste, but new aesthetic understandings away from unattainable perfection can emerge. As part of this research, these ideas will also be tested through designs for selling and testing products in stores used by the majority of consumers such as SEPHORA or TARGET. &#38;nbsp;The beauty industry is growing rapidly in the USA. “Global cosmetic industry has been showing 4,5 % of average annual growth in the last twenty years”.(Szutowski and Szułczyńska 2017).

This thesis research toward a master’s degree in industrial design investigates how the design of pigmented cosmetics for a popular audience leads to an over-consumption and waste of environmentally harmful petroleum-based materials. Observing how the marketing of these products promises its audiences a self-image of perfection based on daily concealment of flaws, the correction of asymmetry, and amplification of allure reveals an agenda of constant use. Crafted over decades by socially compelling this definition of beauty, the American cosmetics industry has built an economy that ensures itself a stream of self-perpetuating income without addressing the unsustainable approach to raw materials.&#38;nbsp; Specifically, application tools and containers of pigments like brushes, wands, casings are inseparably packaged with the coloring media. Once the cosmetic substance is depleted, these mostly plastic items are discarded.&#38;nbsp;

&#60;img width="4200" height="2550" width_o="4200" height_o="2550" data-src="https://freight.cargo.site/t/original/i/97a0c7e0f3231b183839117271fa9b1e89cca3873028839df5f2ee99d2ac6860/image1.jpg" data-mid="107883923" border="0"  src="https://freight.cargo.site/w/1000/i/97a0c7e0f3231b183839117271fa9b1e89cca3873028839df5f2ee99d2ac6860/image1.jpg" /&#62;&#60;img width="4200" height="2550" width_o="4200" height_o="2550" data-src="https://freight.cargo.site/t/original/i/b6e92571b6abbcffe7c4f169825329deda9990c0391108909525a0103ba7f69f/Image2.jpg" data-mid="107883921" border="0"  src="https://freight.cargo.site/w/1000/i/b6e92571b6abbcffe7c4f169825329deda9990c0391108909525a0103ba7f69f/Image2.jpg" /&#62;&#60;img width="4200" height="2550" width_o="4200" height_o="2550" data-src="https://freight.cargo.site/t/original/i/cdb1358bb55ecd73c7aab08fe6ce61c0be39b36136250ac15461448977906752/image3.jpg" data-mid="107883924" border="0"  src="https://freight.cargo.site/w/1000/i/cdb1358bb55ecd73c7aab08fe6ce61c0be39b36136250ac15461448977906752/image3.jpg" /&#62;

	&#60;img width="2582" height="2582" width_o="2582" height_o="2582" data-src="https://freight.cargo.site/t/original/i/37e58f4ec0f70c3685a22ef53c23efe2633e9e16dc1af4dfb0423d80a48bab76/011.png" data-mid="108102732" border="0" data-scale="62" src="https://freight.cargo.site/w/1000/i/37e58f4ec0f70c3685a22ef53c23efe2633e9e16dc1af4dfb0423d80a48bab76/011.png" /&#62;
	Judyta focuses on refining humanity’s behaviors and activities, such as overconsumption, rapid technological development, which profoundly influenced the world’s ecosystems.

She believes that creating a strong relationship between the present routines and new, environment-conscious solutions could create a new tomorrow for the planet.
Personal web: judytabaczkowska.squarespace.com
Contact:&#38;nbsp;baczkowskajudyta@gmail.com


︎︎

</description>
		
	</item>
		
		
	<item>
		<title> Pause and Reflect</title>
				
		<link>https://prattmid.com/Pause-and-Reflect</link>

		<pubDate>Fri, 14 May 2021 08:51:09 +0000</pubDate>

		<dc:creator>Pratt MID2021</dc:creator>

		<guid isPermaLink="true">https://prattmid.com/Pause-and-Reflect</guid>

		<description>&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/85be972e15e6b00a1fc1e54c85958df622369d61bdb829dae4877ee3e58b3ba0/Untitled-4.jpg" data-mid="108429078" border="0"  src="https://freight.cargo.site/w/1000/i/85be972e15e6b00a1fc1e54c85958df622369d61bdb829dae4877ee3e58b3ba0/Untitled-4.jpg" /&#62;
Designed by 
Asad Jawed Ahmed

To 'pause and reflect', has become an indispensable need for our existence in these times but we cannot seem to get the time to do just that.

Through this project, we develop anchors to help us pause and reflect through the emphasis on spirituality, faith, and the future of our planet.


&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/198b74af63d23c8fde9aaae517a8eafc10f53f24e4ccbe8ce69c83fe6557944b/Untitled-2.jpg" data-mid="108429080" border="0"  src="https://freight.cargo.site/w/1000/i/198b74af63d23c8fde9aaae517a8eafc10f53f24e4ccbe8ce69c83fe6557944b/Untitled-2.jpg" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/8f643a85cb55a90b7758488ffc81e883b7979aa8bad552052a26affd5b062cd6/Untitled-5.jpg" data-mid="108429077" border="0"  src="https://freight.cargo.site/w/1000/i/8f643a85cb55a90b7758488ffc81e883b7979aa8bad552052a26affd5b062cd6/Untitled-5.jpg" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/73e05b132bf23cde17cafe3cb66a9a0f0751cd202f638f1e7cfc8c8d40ee4af1/Untitled-3.jpg" data-mid="108429079" border="0"  src="https://freight.cargo.site/w/1000/i/73e05b132bf23cde17cafe3cb66a9a0f0751cd202f638f1e7cfc8c8d40ee4af1/Untitled-3.jpg" /&#62;

	&#60;img width="2436" height="2437" width_o="2436" height_o="2437" data-src="https://freight.cargo.site/t/original/i/7833bcb50671f36d4d87c6cc60ebca6835eacc1963e5c76b37e284d11cae9257/006.png" data-mid="108428765" border="0" data-scale="56" src="https://freight.cargo.site/w/1000/i/7833bcb50671f36d4d87c6cc60ebca6835eacc1963e5c76b37e284d11cae9257/006.png" /&#62;
	Asad Jawed Ahmed is an Industrial designer and Architect, Originally from India, Asad is currently based out of New York City. His skills and passions are in the diverse fields of Design and Problem-solving. He looks into cultures and insights to inform his designs, to tackle the problem from the perspective of the user interaction

Instagram: asad_works247
Linkedin: www.linkedin.com/in/asadjawedahmed
Website: https://www.asadjawedahmed.com/
Email: aahmed34@pratt.edu


︎︎

</description>
		
	</item>
		
		
	<item>
		<title>Remote Mourning &#38; Online Funeral</title>
				
		<link>https://prattmid.com/Remote-Mourning-Online-Funeral</link>

		<pubDate>Sat, 10 Apr 2021 13:48:13 +0000</pubDate>

		<dc:creator>Pratt MID2021</dc:creator>

		<guid isPermaLink="true">https://prattmid.com/Remote-Mourning-Online-Funeral</guid>

		<description>
	&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/8f2dd3da09513ed851b26dc1fb4e7842d3382388839b362caa5dd6d6f9852d96/Untitled-12-02.jpg" data-mid="107257799" border="0"  src="https://freight.cargo.site/w/1000/i/8f2dd3da09513ed851b26dc1fb4e7842d3382388839b362caa5dd6d6f9852d96/Untitled-12-02.jpg" /&#62;

	Designed by 
Naixin KangRemote Mourning &#38;amp; Online Funeral

	Online funeral platform and remote mourning service provide user a better experience to remember the loved one, get more involved in funeral even if in the condition of long diantance.&#38;nbsp;Funeral is a long and complicated process to go through. It is even more challenging for families of deceased when they are not around. Plus mourning is a silent loss process that make people feel difficult to deal with.

So I'm designing an online service system to make whole process easy to go through by professional instructions in long-distance situations. Customized mourning products will give user an opportunity to better express mourning feelings.


&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/8f2dd3da09513ed851b26dc1fb4e7842d3382388839b362caa5dd6d6f9852d96/Untitled-12-02.jpg" data-mid="107257799" border="0"  src="https://freight.cargo.site/w/1000/i/8f2dd3da09513ed851b26dc1fb4e7842d3382388839b362caa5dd6d6f9852d96/Untitled-12-02.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/9e15de0ad3b07ebc6aa373345d3f26d530fd3661141414b634b7bfa9ce3508ab/Untitled-12-05.jpg" data-mid="107257802" border="0"  src="https://freight.cargo.site/w/1000/i/9e15de0ad3b07ebc6aa373345d3f26d530fd3661141414b634b7bfa9ce3508ab/Untitled-12-05.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/42c43f9c02a568fe7cfb12bda9cbabaad953a1954c4cf404876948d5a5c8decd/Untitled-12-01.jpg" data-mid="107257804" border="0"  src="https://freight.cargo.site/w/1000/i/42c43f9c02a568fe7cfb12bda9cbabaad953a1954c4cf404876948d5a5c8decd/Untitled-12-01.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/f4bb6d7884fdef6d3e87d80096ef664091efc0e51969163709a99d00356c036c/Untitled-12-04.jpg" data-mid="107257810" border="0"  src="https://freight.cargo.site/w/1000/i/f4bb6d7884fdef6d3e87d80096ef664091efc0e51969163709a99d00356c036c/Untitled-12-04.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/f0a51dc1021e2c6b9a9c2c8311d626e41ad112a4a1619fb22e4c06baad1e04a3/Untitled-12-03.jpg" data-mid="107257801" border="0"  src="https://freight.cargo.site/w/1000/i/f0a51dc1021e2c6b9a9c2c8311d626e41ad112a4a1619fb22e4c06baad1e04a3/Untitled-12-03.jpg" /&#62;


	


	&#60;img width="2667" height="2667" width_o="2667" height_o="2667" data-src="https://freight.cargo.site/t/original/i/21b507f5d78a00092e4d856a6865dd7bd5da9dee20ce53a2041abbd3b6069afc/123456.jpg" data-mid="104901990" border="0"  src="https://freight.cargo.site/w/1000/i/21b507f5d78a00092e4d856a6865dd7bd5da9dee20ce53a2041abbd3b6069afc/123456.jpg" /&#62;
	Naixin Kang is an Industrial Designer comes from China, Xinjiang. She got her undergraduate degree from University of Liverpool, school of engineering in UK and currently studying at Pratt Institute, master Industrial Design in Brooklyn, NY. Making physical models, digital modeling, and comprehensive and persuasive research are her passion. She hopes that design can improve people's quality of life and optimize people's lifestyles. She hopes that her design can solve the valid problems.


Personal web: www.naixinkang.com
Contact: nkang5@pratt.edu

︎︎

</description>
		
	</item>
		
		
	<item>
		<title>ASD Training Kit</title>
				
		<link>https://prattmid.com/ASD-Training-Kit-1</link>

		<pubDate>Sun, 11 Apr 2021 03:00:38 +0000</pubDate>

		<dc:creator>Pratt MID2021</dc:creator>

		<guid isPermaLink="true">https://prattmid.com/ASD-Training-Kit-1</guid>

		<description>

	Designed by 
Varagun Chongthanapipat (Andy)
Job Opportunity for people with ASD


	The design approach is by embedding the visual language design into the training kit and retrofit to ease out the process of the working experience and increase efficiency in the workplace.

Due to the struggle in finding job opportunities for people with ASD, designing an ASD-friendly environment and system is crucial, and may lead to an increase in chances for job opportunities

&#60;img width="3024" height="1701" width_o="3024" height_o="1701" data-src="https://freight.cargo.site/t/original/i/48cdf86f4192a770bf76cc42bdaa98fe548d8f6f0daf52efb9d9f579afa48bfc/DJI_20210422_150102_526-2.jpg" data-mid="107456638" border="0"  src="https://freight.cargo.site/w/1000/i/48cdf86f4192a770bf76cc42bdaa98fe548d8f6f0daf52efb9d9f579afa48bfc/DJI_20210422_150102_526-2.jpg" /&#62;&#60;img width="4032" height="2268" width_o="4032" height_o="2268" data-src="https://freight.cargo.site/t/original/i/0df776a24e12941e2ccedd7208ba93ff92c2a13c5d8beb419f0b51a7e9495da5/DJI_20210422_150606_898-2.jpg" data-mid="107456632" border="0"  src="https://freight.cargo.site/w/1000/i/0df776a24e12941e2ccedd7208ba93ff92c2a13c5d8beb419f0b51a7e9495da5/DJI_20210422_150606_898-2.jpg" /&#62;&#60;img width="4032" height="2268" width_o="4032" height_o="2268" data-src="https://freight.cargo.site/t/original/i/78cd187883b15362e379a701a7de2e9a5fcdfb24c144304136edfd137c9b7696/DJI_20210422_150352_185-2.jpg" data-mid="107456630" border="0"  src="https://freight.cargo.site/w/1000/i/78cd187883b15362e379a701a7de2e9a5fcdfb24c144304136edfd137c9b7696/DJI_20210422_150352_185-2.jpg" /&#62;&#60;img width="4032" height="2268" width_o="4032" height_o="2268" data-src="https://freight.cargo.site/t/original/i/9aa2a267c37fa102cd7d4d6b77f4c852b1ce2c298f28c743f866f9b63875f4e2/DJI_20210422_150326_386-2.jpg" data-mid="107456629" border="0"  src="https://freight.cargo.site/w/1000/i/9aa2a267c37fa102cd7d4d6b77f4c852b1ce2c298f28c743f866f9b63875f4e2/DJI_20210422_150326_386-2.jpg" /&#62;&#60;img width="4032" height="2268" width_o="4032" height_o="2268" data-src="https://freight.cargo.site/t/original/i/b01a2663cd352000b4f22560e940ff7b021e1afb8f827473237c690157fa53b6/DJI_20210422_150705_899-2.jpg" data-mid="107456641" border="0"  src="https://freight.cargo.site/w/1000/i/b01a2663cd352000b4f22560e940ff7b021e1afb8f827473237c690157fa53b6/DJI_20210422_150705_899-2.jpg" /&#62;


	&#60;img width="2072" height="2097" width_o="2072" height_o="2097" data-src="https://freight.cargo.site/t/original/i/9368026f9a12bf8f5a5ee5b4d958af3937e297283849d72d8d5722b2d64907f7/circle.png" data-mid="107457204" border="0" data-scale="62" src="https://freight.cargo.site/w/1000/i/9368026f9a12bf8f5a5ee5b4d958af3937e297283849d72d8d5722b2d64907f7/circle.png" /&#62;
	Varagun Chongthanapipat ( Andy ) is an industrial designer that studies industrial design both in Bachelor and Masters Degree. Andy specialises in designing art toy, educational product, furniture, etc.

Personal Web:&#38;nbsp;www.mrkreme.com /&#38;nbsp; https://varagun6.wixsite.com/andyportfolio
Contact:&#38;nbsp;varagun6@gmail.com /&#38;nbsp;&#38;nbsp;studiokreme@gmail.com



︎︎︎

</description>
		
	</item>
		
	</channel>
</rss>